On paper, Clayface is DC Studios' biggest experiment to date. Yet, Tom Rhys Harries' outstanding Matt Hagen and squeamish sequences can't completely cover up a safe body horror that carries the scars of a so-so script and surface-level dissection of its gloopy subject matter.
Tom Rhys Harries is superb as Matt Hagen
Nightclub action scene a DCU highlight
Doesn't have much to say about its themes
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شارەزایانمان لە ماوەی چەند کاتژمێرێکی بێشوماردا پێداچوونەوە بە یارییەکان و فیلم و تەکنەلۆژیادا دەکەن، بۆ ئەوەی بتوانیت باشترینەکان بۆ خۆت هەڵبژێریت. زیاتر بزانە دەربارەی سیاسەتی پێداچوونەوەکانمان.
Over the years, Clayface has come in many shapes and sizes: thespian comedy sidekick in the Harley Quinn series, meme minifigure in the LEGO Batman games, and even as the focal point of Emmy-nominated two-parter 'Feat of Clay' in the seminal 1990s show Batman: The Animated Series.
2026's Clayface – the first outright horror in the DCU – taps into the rich narrative vein of the latter, molding the comic book villain into a tragic, deeply troubled figure that manages to escape the long shadow of the Bat for his own flawed, grisly rampage through Gotham.
Fresh off an Oscar nomination, the world of sandy-blonde actor Matt Hagen (a starmaking performance from Tom Rhys Harries) soon crashes down around him after bedding the girlfriend of crime boss Markos Szabo (David Dencik). The repercussions are severe and instant in a breezy first act: Hagen's face is slashed to pieces. His one saving grace is experimental nanocell surgery by outcast scientist Dr. Caitlyn Corr (Naomi Ackie).
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