The science fiction genre has produced some of the most iconic and recognizable movies in cinema history, including 2001: A Space Odyssey, Alien, The Matrix, and Blade Runner. However, the genre is also full of impressive films that have gradually disappeared from mainstream conversation. Some were overshadowed by bigger releases, while others simply found their audiences too late. As a result, there are plenty of excellent sci-fi movies that you probably forgot, or didn't even know, existed.
Some of the best forgotten sci-fi movies don't have as big a cultural footprint as the genre's biggest classics, but they're particularly rewarding watches. From dystopian societies and unexplained mysteries to alien friendships and environmental warnings, some of the genre's most underrated films deserve a second look, or an opportunity to be discovered for the first time by a new audience.
1984's The Last Starfighter centers on Alex Rogan, a teenager who lives in a trailer park and spends most of his free time playing an arcade game called Starfighter. When Alex achieves the game's high score, he uncovers the dark truth that Starfighter was actually created as a training simulation for an interstellar war. Its creator, Centauri, recruits Alex to an alien defense force, offering him the chance to see whether his video-game skills can translate into real-world combat.
The Last Starfighter's premise sounds like yet another galactic adventure during an oversaturated decade, but the movie commits wholeheartedly to this surprisingly charming idea. What's more, the film's central concept was far ahead of its time; the idea of an ordinary teenager discovering that a video game has secretly prepared them for a real-world adventure feels kind of obvious now, but in 1984, it allowed The Last Starfighter to connect arcade game culture with traditional space opera in a unique way.
With impressively ambitious visual effects, including extensive computer-generated imagery for spaceships and battles, The Last Starfighter has since become an enduring cult favorite. Still, its modest cultural footprint means it's now much easier to encounter as just a piece of nostalgia than a genuinely important experiment in computer-generated filmmaking. The Last Starfighter is a sincere and entertaining sci-fi adventure, but many people often downplay its achievements as just another Star Wars knockoff.
Set during a war between humanity and the reptilian Dracs, Enemy Mine follows human pilot Willis Davidge after he crash-lands on a hostile, volcanic alien planet called Fyrine IV. His dangerous situation becomes even more complicated when he discovers another survivor: Jeriba "Jerry" Shigan, a Drac soldier he'd been trying to kill. The two initially consider each other enemies, but Fyrine IV's dangers force them to cooperate, gradually transforming their relationship from mutual hatred into friendship. Dennis Quaid and Louis Gossett Jr. carry much of Enemy Mine, and their characters' relationship gives the conventional survival story a much more human touch.
Rather than using the alien species as an excuse for spectacle, Enemy Mine instead explores how prejudice can survive even when people are forced to recognize their similarities. Despite its profound themes, an appropriately strange atmosphere, and two impeccable performances that place bigger focus on trust and connection than action sequences, Enemy Mine should've been a sure-fire hit. Unfortunately, the movie only earned $12.3 million domestically, and its reception was mixed.
That commercial disappointment helps explain why Wolfgang Petersen's film never became a mainstream hit. Enemy Mine has been somewhat reevaluated in more recent years, which is a good thing: its central idea is much more memorable and enjoyable than its reputation suggests, and its status as a box office bomb shouldn't put any sci-fi fans off.
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